New PDF release: I Swear I Saw This: Drawings in Fieldwork Notebooks, Namely

By Michael Taussig

I Swear I observed This files visionary anthropologist Michael Taussig’s reflections at the fieldwork notebooks he stored via 40 years of travels in Colombia. Taking as a place to begin a drawing he made in Medellin in 2006—as good as its caption, “I swear I observed this”—Taussig considers the fieldwork workstation as a kind of modernist literature and where the place writers and different creators first determine the innovative common sense of discovery.

 

Notebooks combine the uncooked fabric of commentary with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which mixture the interior and outer worlds in a manner similar to Brion Gysin and William Burroughs’s surreal cut-up procedure. targeting the small information and observations which are misplaced while writers convert their notes into entire items, Taussig demands new methods of seeing and utilizing the computing device as shape. reminiscence emerges as a principal motif in I Swear I observed This as he explores his penchant to inscribe new memories within the margins or at once over the unique entries days or even weeks after an occasion. This palimpsest of afterthoughts results in ruminations on Freud’s research of desires, Proust’s innovations at the involuntary workings of reminiscence, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes youth stories with startling ease.

 

I Swear I observed This shows Taussig’s attribute verve and highbrow audacity, the following mixed with a revelatory experience of intimacy. He writes, “drawing is hence a depicting, a hauling, an unraveling, and being impelled towards whatever or somebody.” Readers will exult in becoming a member of Taussig once more as he follows the threads of a tangled skein of encouraged associations.

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I Swear I Saw This: Drawings in Fieldwork Notebooks, Namely My Own by Michael Taussig


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