Read e-book online Afterness: Figures of Following in Modern Thought and PDF

By Gerhard Richter

Gerhard Richter's groundbreaking examine argues that the idea that of "afterness" is essential to realizing the concept and aesthetics of modernity. He pursues such questions as what it capacity for whatever to "follow" anything else and no matter if that which follows marks a transparent holiday with what comes earlier than. Or does that which follows tacitly perpetuate its predecessor on account of its indebtedness to the phrases and prerequisites of that from which it claims to have departed? certainly, Richter asks, isn't the very act of breaking with, after which following upon, a manner of retroactively developing and fortifying that from which the holiday that set the circulate of following into movement had happened?

Richter explores the idea that and circulate of afterness as a privileged but uncanny class via shut readings of Immanuel Kant, Franz Kafka, Martin Heidegger, Ernst Bloch, Walter Benjamin, Bertold Brecht, Theodor W. Adorno, Hannah Arendt, Jean-François Lyotard, and Jacques Derrida. via his paintings, the vexed techniques of afterness, following, and coming after light up a constellation of recent preoccupations, together with own and cultural reminiscence, translation, images, desire, and the old and conceptual specificity of what has been termed "after Auschwitz." Richter's numerous threads of analysis—which pass an expansive choice of smooth writers and thinkers, diversified historic moments of articulation, and a variety of media-richly advance Lyotard's incontrovertible assertion that "after philosophy comes philosophy. however it has been altered through the 'after.'" As this tricky inquiry demonstrates, a lot hinges on our interpretation of the "after," for our so much primary assumptions touching on sleek aesthetic illustration, conceptual discourse, group, subjectivity, and politics are at stake.

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Afterness: Figures of Following in Modern Thought and Aesthetics (Columbia Themes in Philosophy, Social Criticism, and the Arts) by Gerhard Richter


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