By Gerhard Richter
Richter explores the idea that and circulate of afterness as a privileged but uncanny class via shut readings of Immanuel Kant, Franz Kafka, Martin Heidegger, Ernst Bloch, Walter Benjamin, Bertold Brecht, Theodor W. Adorno, Hannah Arendt, Jean-François Lyotard, and Jacques Derrida. via his paintings, the vexed techniques of afterness, following, and coming after light up a constellation of recent preoccupations, together with own and cultural reminiscence, translation, images, desire, and the old and conceptual specificity of what has been termed "after Auschwitz." Richter's numerous threads of analysis—which pass an expansive choice of smooth writers and thinkers, diversified historic moments of articulation, and a variety of media-richly advance Lyotard's incontrovertible assertion that "after philosophy comes philosophy. however it has been altered through the 'after.'" As this tricky inquiry demonstrates, a lot hinges on our interpretation of the "after," for our so much primary assumptions touching on sleek aesthetic illustration, conceptual discourse, group, subjectivity, and politics are at stake.
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Additional info for Afterness: Figures of Following in Modern Thought and Aesthetics (Columbia Themes in Philosophy, Social Criticism, and the Arts)
Afterness: Figures of Following in Modern Thought and Aesthetics (Columbia Themes in Philosophy, Social Criticism, and the Arts) by Gerhard Richter